'A major achievement.' CLAUDIA RANKINE 'Endlessly absorbing.' SINEAD GLEESON 'A probing tour of capitalism and class.' MAGGIE NELSON 'Exhilarating.' JENNY OFFILL A personal reckoning with the intricacies of money, class and capitalism from the New York Times bestselling author. Having just purchased her first home, Eula Biss embarks on a roguish and risky self-audit of the value system she has bought into. The result is Having and Being Had: a radical interrogation of work, leisure and capitalism. Playfully ranging from IKEA to Beyonce to Pokemon, across bars and laundromats and universities, she asks, of both herself and her class, 'In what have we invested? 'As a writer Eula Biss has two great gifts. The first is her ability to reveal to the reader what has, all along, been hidden in plain sight . . . Her other talent is for laying bare our submerged fears . . . In Having and Being Had, both gifts are on display . . . if you are not deeply discomfited by the time you finish reading On Having and Being Had, you have no conscience.' AMINATTA FORNA, GUARDIAN 'Calls on the controlled rush of poetry and turns experience into art.' TIMES LITERARY SUPPLEMENT 'Nuanced . . . Biss' sentences have retained a poet's precision.' IRISH TIMES 'Eula Biss's prescient new book gave me new language for things I didn't know I felt . . . A brilliant, lacerating re-examination of our relationship to what we own and why, and who in turn might own us.' ALEXANDER CHEE 'No contemporary writer I know explores and confronts her own societal responsibilities better than Eula Biss.' ALEKSANDER HEMON 'A meditation on race, consumerism and the American caste system. And a wry, vivd assessment of our spiritual moment. It is no accident that Having and Being Had reads like the poems money would write if money wrote poems.' JEET THAYIL

In Of Woman Born, originally published in 1976, influential poet and feminist Adrienne Rich examines the patriarchic systems and political institutions that define motherhood. Exploring her own experience-as a woman, a poet, a feminist and a mother-she finds the act of mothering to be both determined by and distinct from the institution of motherhood as it is imposed on all women everywhere. A "powerful blend of research, theory, and self-reflection" (Sandra M. Gilbert, Paris Review), Of Woman Born revolutionised how women thought about motherhood and their own liberation. With a stirring new foreword from National Book Critics Circle Award-winning writer Eula Biss, the book resounds with as much wisdom and insight today as when it was first written.

MAKE X collects memorable work published throughout the last ten years by beloved Chicago literary magazine MAKE. Through fiction, nonfiction, poetry, and reviews, alongside new visual art portfolios, interviews, and stories from the editors, MAKE X honors a decade of storytelling and literary rabble-rousing in Chicago.

In this bold, fascinating book, Eula Biss addresses a chronic condition of fear - fear of the government, the medical establishment, and what may be in your children's air, food, mattresses, medicines, and vaccines. Reflecting on her own experience as a new mother, Biss investigates the metaphors and myths surrounding our conception of immunity and its implications for the individual and the social body. She extends a conversation with other mothers to meditations on Voltaire's Candide , Bram Stoker's Dracula, Rachel Carson's Silent Spring, Susan Sontag's AIDS and Its Metaphors, and beyond. On Immunity is an inoculation against our fear and a moving account of how we are all interconnected - our bodies and our fates.

'A major achievement.' CLAUDIA RANKINE 'Endlessly absorbing.' SINEAD GLEESON 'A probing tour of capitalism and class.' MAGGIE NELSON 'Exhilarating.' JENNY OFFILL A personal reckoning with the intricacies of money, class and capitalism from the New York Times bestselling author. Having just purchased her first home, Eula Biss embarks on a roguish and risky self-audit of the value system she has bought into. The result is Having and Being Had: a radical interrogation of work, leisure and capitalism. Playfully ranging from IKEA to Beyonce to Pokemon, across bars and laundromats and universities, she asks, of both herself and her class, 'In what have we invested? 'As a writer Eula Biss has two great gifts. The first is her ability to reveal to the reader what has, all along, been hidden in plain sight . . . Her other talent is for laying bare our submerged fears . . . In Having and Being Had, both gifts are on display . . . if you are not deeply discomfited by the time you finish reading On Having and Being Had, you have no conscience.' AMINATTA FORNA, GUARDIAN 'Calls on the controlled rush of poetry and turns experience into art.' TIMES LITERARY SUPPLEMENT 'Nuanced . . . Biss' sentences have retained a poet's precision.' IRISH TIMES 'Eula Biss's prescient new book gave me new language for things I didn't know I felt . . . A brilliant, lacerating re-examination of our relationship to what we own and why, and who in turn might own us.' ALEXANDER CHEE 'No contemporary writer I know explores and confronts her own societal responsibilities better than Eula Biss.' ALEKSANDER HEMON 'A meditation on race, consumerism and the American caste system. And a wry, vivd assessment of our spiritual moment. It is no accident that Having and Being Had reads like the poems money would write if money wrote poems.' JEET THAYIL

Who is white, and why should we care? There was a time when the immigrants of New York City’s Lower East Side—the Irish, the Poles, the Italians, the Russian Jews—were not white, but now “they� are. There was a time when the French-speaking working classes of Quebec were told to “speak white,� that is, to speak English. Whiteness is an allegorical category before it is demographic. This volume gathers together some of the most influential scholars of privilege and marginalization in philosophy, sociology, economics, psychology, literature, and history to examine the idea of whiteness. Drawing from their diverse racial backgrounds and national origins, these scholars weave their theoretical insights into essays critically informed by personal narrative. This approach, known as “braided narrative,� animates the work of award-winning author Eula Biss. Moved by Biss’s fresh and incisive analysis, the editors have assembled some of the most creative voices in this dialogue, coming together across the disciplines. Along with the editors, the contributors are Eduardo Bonilla-Silva, Nyla R. Branscombe, Drucilla Cornell, Lewis R. Gordon, Paget Henry, Ernest-Marie Mbonda, Peggy McIntosh, Mark McMorris, Marilyn Nissim-Sabat, Victor Ray, Lilia Moritz Schwarcz, Louise Seamster, Tracie L. Stewart, George Yancy, and Heidi A. Zetzer.

Who is white, and why should we care? There was a time when the immigrants of New York City’s Lower East Side—the Irish, the Poles, the Italians, the Russian Jews—were not white, but now “they� are. There was a time when the French-speaking working classes of Quebec were told to “speak white,� that is, to speak English. Whiteness is an allegorical category before it is demographic. This volume gathers together some of the most influential scholars of privilege and marginalization in philosophy, sociology, economics, psychology, literature, and history to examine the idea of whiteness. Drawing from their diverse racial backgrounds and national origins, these scholars weave their theoretical insights into essays critically informed by personal narrative. This approach, known as “braided narrative,� animates the work of award-winning author Eula Biss. Moved by Biss’s fresh and incisive analysis, the editors have assembled some of the most creative voices in this dialogue, coming together across the disciplines. Along with the editors, the contributors are Eduardo Bonilla-Silva, Nyla R. Branscombe, Drucilla Cornell, Lewis R. Gordon, Paget Henry, Ernest-Marie Mbonda, Peggy McIntosh, Mark McMorris, Marilyn Nissim-Sabat, Victor Ray, Lilia Moritz Schwarcz, Louise Seamster, Tracie L. Stewart, George Yancy, and Heidi A. Zetzer.